Kerry and I have both noted that even in everyday life it’s easy to lose track of what you did / saw / ate even yesterday; speed-tourism in a foreign city only exacerbates the problem. So here, at 10 pm, are some very quick highlights in an attempt to pin down some of the past 48 hours or so.
Going up the Torre Serrans (note K at bottom left):

Visiting the labyrinthine ruins of Roman Valentia at the Almoina Archaeological Museum.

A very Spanish dinner around the corner involving boquerones (white anchovies in vinegar) served over potato chips:

The Fallas Museum, containing every ninot saved from the flames each year since 1935 or so…









and oil portraits of every Fallera –



and the official poster for every year –




Next, one of Spain’s greatest personal art collections, in the Centro de Arte Hortensia Herrero:




(Recipe: make $3 billion in the supermarket business; spend a lot of it on art; buy a ruined C.16 palazzo; spend $50 million just on the restoration; reinforce the walls because one of the Anselm Kiefer paintings is in fact mostly lead, and weighs 4 tons.)
Next, built between 1490 and 1550, the spare, beautiful Lonja de la Seda or Silk Exchange:




Next, the not at all spare (actually, Baroque on steroids) but even more beautiful Parroquia de San Nicolas de Bari – which the artist mainly responsible for restoring the Sistine Chapel described very reasonably as “the Sistine Chapel of Valencia”:




Next – OK, you can’t win every game – an hour at Centro Carmen, a modern at museum from which I don’t have a single picture because I felt that every single multimedia conceptual installation (or whatever) in there was achingly pretentious, self-regarding, derivative, bordering on self-parody crap…
And finally a return to the Museo de Bellas Artes, where among many other things we saw this Crucification triptych with an absent Christ, c. 1570:

This Velasquez autorretrato:

And this modernist head of the Spanish novelist Vincente Blasco Ibáñez:













